The Malay gamelan was usually played at royal occasions during the reign of Sultan Ahmad of Pahang (1882-1914) and Sultan Sulaiman of Terengganu (1920-1942). Based on the ancient royal gamelan set discovered in 1966 at Istana Kolam, Terengganu, a set of Malay gamelan consists 7 basic instruments, which are:
1.Keromong,also known as Bonang Barung (a set of 10 small kettle gongs)
The bonang is a musical instrument used in the Javanese gamelan. It is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (rancak), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, while the higher ones have an arched one. Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (tabuh). This is similar to the other cradled gongs in the gamelan, the kethuk, kempyang, and kenong. Bonang may be made of forged bronze, welded and cold-hammered iron, or a combination of metals. In addition to the gong-shaped form of kettles, economical bonang made of hammered iron or brass plates with raised bosses are often found in village gamelan, in Suriname-style gamelan, and in some American gamelan.
2.Gambang(a wooden xylophone)
A gambang, properly called a gambang kayu ('wooden gambang') is a xylophone-like instrument used among peoples of Indonesia and the southern Philippines in gamelan and kulintang, with wooden bars as opposed to the metallic ones of the more typical metallophones in a gamelan. A largely obsolete instrument, the gambang gangsa, is a similar instrument made with metal bars.
DO YOU KNOW HOW TO PLAY??????
https://youtu.be/1REQ4cIx138The saron is a musical instrument of Indonesia, which is used in the gamelan. It normally has seven bronze bars placed on top of a resonating frame (rancak). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. In a pelog scale, the bars often read 1-2-3-5-6-7 across (the number four is not used because of its relation to death) (in kepatihan numbering); for slendro, the bars are 6-1-2-3-5-6-1; this can vary from gamelan to gamelan, or even among instruments in the same gamelan. Slendro instruments commonly have only six keys. It provides the core melody (balungan) in the gamelan orchestra.
3.Saron Kecil, also known as Saron Barung (a set of metallophones)
4.Saron Besar, also known as Saron Demung (another set of metallophones, slightly bigger than Saron Kecil)
